Image and mention in Aesthetica Magazine:
“This May, exhibitions on display around the world harness photography and installation to interrogate pressing themes, from the importance of proper representation to the future of our natural spaces. They ask questions like: what happens after sea levels rise? What does the world look like 50 years from now? How do we preserve our cultures, traditions and communities in the face of massive uncertainty? They’re some of the most important issues facing our current moment.”
Interview and podcast at Radio Latinoamérica by Mónica Orjuela:
“Con parte de su obra actualmente en la Bienal de Sídney y una exposición en curso en el Nordnorsk Kunstmuseum (Svalbard), Maritea Dæhlin se afianza como una creadora sólida en el arte visual. Portadora de un linaje de artistas de renombre y raíces que abarcan Noruega, México y Camerún, la artista explora en sus últimas obras el peso de la memoria transgeneracional y el movimiento como una condición humana universal.”
By 25th Biennale of Sydney artist Maritea Dæhlin, this live performance brings together spoken text, repetition and vocal gesture as a way of producing language, meaning and attention in public space. Drawing on earlier works developed across performance, sound and video, the piece unfolds in close proximity to the exhibition, activating voice as instruction, address and disturbance. Through repetition pushed toward excess, shifts in tone and duration, language begins to slip, generating multiple registers at once. The work treats listening not as a given, but as something that is continually negotiated between voice, body and gaze, allowing seriousness and absurdity to coexist without resolution.
https://www.biennaleofsydney.art/events/i-want-to-be-traditional/
“In an abstract, poetic manner, Dæhlin opposes racialised geographical boundaries and the nationalist desire for uncomplicated national and individual identities that match each other one for one. (…)–A-FI-SA imagines a future where multiculturalism does not interrupt and where assimilation or estrangement are not the only options, even though it might not be tomorrow.”
— Stir world
Interview: Maritea Dæhlin on A-FI-SA. But it might not be tomorrow.
— Nordnorsk Kunstmuseum
Artist Talk with Maritea Dæhlin, Liv Brissach and Bianca Hisse
Artist residency at McColl Center:
interview.
e-flux link
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e-flux link *
Solo exhibition announced on e-flux:
"A-FI-SA—But it might not be tomorrow
September 27, 2025–April 25, 2026
Nordnorsk Kunstmuseum is delighted to announce Maritea Dæhlin’s first major solo presentation, A-FI-SA. But it might not be tomorrow, at Nordover Art Center in Longyearbyen, Svalbard."
Biennale of Sydney link
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Biennale of Sydney link *
Maritea Dæhlin is one of the participating artists at the Biennale of Sydney 2026:
"Rememory is curated by Artistic Director Hoor Al Qasimi. (...) Through Rememory, the Biennale will explore how the act of remembering—whether personal, familial or collective—can shape identity, belonging, and community.
We’re also excited to share the first 37 artists and collectives participating in the Biennal"
Contemporary& Latino America Link
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Contemporary& Latino America Link *
“Interview in Contemporary& América Latina:
Daehlin blends her Norwegian-Cameroonian roots and sleep rituals to create vulnerable and transformative spaces of trust.”
Danseinformasjonen intervju link
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Danseinformasjonen intervju link *
“— Å klippe video og sette det sammen til en helhetlig film, minner mye om teaterregi og koreografi, forteller scenekunstner Maritea Dæhlin. ”